“I use 3D scanning a lot within my practice to digitize objects as technological artifacts, enabling me to traverse through a digital container on screen and re-translate these movements back into prints.”

“I became attracted to the balance of immediacy and the intervention of the press as a kind of mediator between myself and the plate.”

“Bridging painting and printmaking started with my interest in architectural rubbings. A quick and immediate way to record something and [create] this connection to a place that held layers of history and memory...”

“I enjoy the act of removing the paper from the plate after it has gone through the press…this moment where it bridges over to a rather sculptural work is the moment where it gets interesting for me.”

“I like the mediation of the squeegee, and the way that it flattens, unifies, and simplifies…It removes me somewhat as the creator of the image, which feels like a good thing.”

“If I think about the way I work, there is usually some form of system in place, which allows the meeting of materials, images, footage and sound without my direct input…”