To ensure your print collection stays in good condition during display or storage there are some important best practices to keep in mind.

If you've ever thought about purchasing prints or perhaps even making them yourself, we’ve outlined the main fine art print processes.

Some key terminologies and considerations for folks who are excited to start their print collection.

The first in our series Collecting Prints where we get on the same page about the meaning of “fine art" or “original” prints.

A selection of our favorite works that were on view this weekend at the London Original Print Fair.

Behind some unassuming roller doors in Sydney’s Leichardt neighborhood we visit Australia’s largest hand-printed textile studio.

A selection of our favorite works that are currently on view at the Woolwich Contemporary Print Fair in London.

Visiting the Southern California factory where all of our custom Simply Framed orders are are produced, mounted and shipped.

Stopping by Tom Kracauer’s huge new space for Problems Printing in South El Monte, California.

A pair of MassArt Printmaking grads have set up an impressive new space in Somerville's Union Square.

Touring around the printshop of Mirabo Press during our visit to Buffalo, NY.

“The most exciting prints are born of curiosity and an eagerness to dive into the process.” A conversation with Elleree Erdos, Director of Prints and Editions at David Zwirner.

“ The edition process is an opportunity to share ideas with people outside the art community, distributing booklets and brochures that allow me to engage with social and political narratives.”

For those who want to start or build on a contemporary art collection, buying prints can be a wonderful way to have work from prominent artists without the hefty price tag.

Favorite works that are currently on view at the IFPDA fair in New York

“ I enjoy the mystery of the final print, as it does not always reveal all the layers and processes that took place, but still records the journey between the work and the artist.”

“I sought out a method that allows me to use techniques and markmaking of print, but the approach of a painter.”

Artist and academic, Sage Dawson shares a tour of the printmaking studios at Washington University.

Visiting the Brooklyn studio of one of our long-time collaborators.

“I started to realize the possibilities of print as a way of communicating not just graphic information but more nebulous ideas too.”