“For me, printmaking is the art of conditions and flexibility.”

What we saw and loved in New York, San Francisco, Los Angeles, New Haven, Cambridge, London, Glasgow and Edinburgh this year.

Excuse us while we pack all our belongings and move to Edinburgh.

Glasshouses are our kryptonite.

Dispatches from a late-summer trip to the Scottish Highlands.

Writer Anni Irish shares four shows that keep the print love coming even after New York Print Week draws to a close.

Behind the scenes as we work on our four-print edition with San Francisco-based artist, Henna Vainio.

“The practice of printmaking thus allows for a kind of knowing through doing yet also a trust in the outcome, which is always enigmatic.”

The ambitions of this exceptional print duo expand well beyond the walls of their modest Copenhagen studio.

Behind the scenes on our thinking and process behind this triptych of new prints.

We return to visit talented printmaker Thomas Murphy and he’s a long way from the South London garage studio we met him in three years ago!

“Print encourages an analytical and deconstructive way of considering image making. Layering, transparency, negative and positive become very important.”

We tour the excellent facilities at the Thames-Side Print Studio in London’s Woolwich neighborhood.

A wrap up of Fall exhibitions that print-lovers in New York won’t want to miss.

Checking in with one of our favorite printshops in the UK.

“I wanted a material that somehow related to my theme of invisible memory, and a material that could occupy architectural spaces with subtle illusions drawn from Eastern and Western cultures.”

“A printed image is one frame in a timeline of many…”

Grasping at the sublime scenes of the timeless Yosemite Valley.

“In the printmaking workshop, it was an electrifying, almost chaotic dance between stations and presses where interaction was natural and necessary".”

Soft edges, squished surfaces, bodily shapes.